tag:blogger.com,1999:blog-34461291430967465452024-03-08T10:56:39.259-08:00Feminism and the Museum 2013Anonymoushttp://www.blogger.com/profile/01132047597376441119noreply@blogger.comBlogger5125tag:blogger.com,1999:blog-3446129143096746545.post-51054098447258467452013-10-16T05:45:00.001-07:002013-10-17T01:59:46.880-07:00Draft of Symposium Program now available<!--[if gte mso 9]><xml>
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<h2>
</h2>
<h2 style="text-align: center;">
<span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Helvetica;"><b><b><span lang="EN-US" style="font-family: Helvetica;">Feminism and the Museum: a Symposium</span></b></b></span></span></h2>
<h2 style="text-align: center;">
<span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Helvetica;">November
2, 2013. </span></span><span class="Apple-style-span" style="font-family: Helvetica; font-size: large;">Conference Room, Level 4,</span></h2>
<h2 style="text-align: center;">
<span class="Apple-style-span" style="font-family: Helvetica; font-size: large;"> National Library of
Australia.</span></h2>
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<span lang="EN-US" style="font-family: Helvetica;">9.00<o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: Helvetica;"><span class="Apple-style-span" style="color: #444444;">Delegates arrive</span><o:p></o:p></span></b></div>
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<span lang="EN-US" style="font-family: Helvetica;">9.15 – 9.30<o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: Helvetica;"><span class="Apple-style-span" style="color: #444444;">Welcome to Country<o:p></o:p></span></span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: Helvetica;"><span class="Apple-style-span" style="color: #444444;">Welcome from the symposium’s conveners</span><o:p></o:p></span></b></div>
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<span lang="EN-US" style="font-family: Helvetica;">Alison Bartlett
(UWA) and Margaret Henderson (UQ)<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: Helvetica;">9.30 – 10.30<o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: Helvetica;"><span class="Apple-style-span" style="color: #444444;">Keynote Lecture</span><o:p></o:p></span></b></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<span lang="EN-US" style="font-family: Helvetica;">- “Speaking,
Doing, Making, Being: Four modes of Feminism in the National Museum”<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: Helvetica;"> Dr Kirsten
Wehner (National Museum of Australia)<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: Helvetica;">10.30 – 10.45 <o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: Helvetica;"><span class="Apple-style-span" style="color: #444444;">Coffee
break</span><o:p></o:p></span></b></div>
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<span lang="EN-US" style="font-family: Helvetica;">10.45 – 12.30<o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: Helvetica;"><span class="Apple-style-span" style="color: #444444;">Session I: Collecting</span><o:p></o:p></span></b></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<span lang="EN-US" style="font-family: Helvetica;">- “Women are
Transmogrifying” <o:p></o:p></span></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<span lang="EN-US" style="font-family: Helvetica;"> Mandy Paul
(History SA)<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<span lang="EN-US" style="font-family: Helvetica;">- “The Gendered
Politics of Collections”<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<span lang="EN-US" style="font-family: Helvetica;"> Sophia Maalsen
(U Syd)<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<span lang="EN-US" style="font-family: Helvetica;">- “Feminist
Futures, Feminist Pasts and Generational </span></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<span lang="EN-US" style="font-family: Helvetica;"> Relationships: responding to second
wave activist material</span></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<span lang="EN-US" style="font-family: Helvetica;"> culture in Adelaide collections”<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<span lang="EN-US" style="font-family: Helvetica;"> Petra Mosmann
(Flinders)<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<span lang="EN-US" style="font-family: Helvetica;">- “First Steps in
Digitization: Irene Greenwood and <i style="mso-bidi-font-style: normal;">Woman
to</i></span></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<span lang="EN-US" style="font-family: Helvetica;"><i style="mso-bidi-font-style: normal;"> Woman</i>”<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<span lang="EN-US" style="font-family: Helvetica;"> Kate Makowiecka
(Murdoch)</span></div>
</td></tr>
<tr style="mso-yfti-irow: 5;"><td style="border-top: none; border: 1.0pt; border: solid black; mso-border-alt: .5pt; mso-border-alt: solid black; mso-border-themecolor: text1; mso-border-themecolor: text1; mso-border-top-alt: .5pt; mso-border-top-alt: solid black; mso-border-top-themecolor: text1; padding: 0cm 5.4pt 0cm 5.4pt; width: 95.2pt;" valign="top" width="95"><div class="MsoNormal">
<span lang="EN-US" style="font-family: Helvetica;">12-30 – 1.00<o:p></o:p></span></div>
</td>
<td style="border-bottom: 1.0pt; border-bottom: solid black; border-left: none; border-right: 1.0pt; border-right: solid black; border-top: none; mso-border-alt: .5pt; mso-border-alt: solid black; mso-border-bottom-themecolor: text1; mso-border-left-alt: .5pt; mso-border-left-alt: solid black; mso-border-left-themecolor: text1; mso-border-right-themecolor: text1; mso-border-themecolor: text1; mso-border-top-alt: .5pt; mso-border-top-alt: solid black; mso-border-top-themecolor: text1; padding: 0cm 5.4pt 0cm 5.4pt; width: 328.55pt;" valign="top" width="329"><div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: Helvetica;"><span class="Apple-style-span" style="color: #444444;">Lunch</span><o:p></o:p></span></b></div>
</td>
</tr>
<tr style="mso-yfti-irow: 6;">
<td style="border-top: none; border: 1.0pt; border: solid black; mso-border-alt: .5pt; mso-border-alt: solid black; mso-border-themecolor: text1; mso-border-themecolor: text1; mso-border-top-alt: .5pt; mso-border-top-alt: solid black; mso-border-top-themecolor: text1; padding: 0cm 5.4pt 0cm 5.4pt; width: 95.2pt;" valign="top" width="95"><div class="MsoNormal">
<span lang="EN-US" style="font-family: Helvetica;">1.00 – 1.45<o:p></o:p></span></div>
</td>
<td style="border-bottom: 1.0pt; border-bottom: solid black; border-left: none; border-right: 1.0pt; border-right: solid black; border-top: none; mso-border-alt: .5pt; mso-border-alt: solid black; mso-border-bottom-themecolor: text1; mso-border-left-alt: .5pt; mso-border-left-alt: solid black; mso-border-left-themecolor: text1; mso-border-right-themecolor: text1; mso-border-themecolor: text1; mso-border-top-alt: .5pt; mso-border-top-alt: solid black; mso-border-top-themecolor: text1; padding: 0cm 5.4pt 0cm 5.4pt; width: 328.55pt;" valign="top" width="329"><div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: Helvetica;"><span class="Apple-style-span" style="color: #444444;">Performance</span><o:p></o:p></span></b></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<span lang="EN-US" style="font-family: Helvetica;">- “The Lost
Culture of Women’s Liberation, the Pre-Dynastic</span></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<span lang="EN-US" style="font-family: Helvetica;"> Phase 1969-74”<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: Helvetica;"> Suzanne Bellamy
(U Syd)</span><span lang="EN-US" style="font-family: Helvetica;"><o:p></o:p></span></div>
</td>
</tr>
<tr style="height: 190.85pt; mso-yfti-irow: 7;">
<td style="border-top: none; border: 1.0pt; border: solid black; height: 190.85pt; mso-border-alt: .5pt; mso-border-alt: solid black; mso-border-themecolor: text1; mso-border-themecolor: text1; mso-border-top-alt: .5pt; mso-border-top-alt: solid black; mso-border-top-themecolor: text1; padding: 0cm 5.4pt 0cm 5.4pt; width: 95.2pt;" valign="top" width="95"><div class="MsoNormal">
<span lang="EN-US" style="font-family: Helvetica;">1.45 – 3.30<o:p></o:p></span></div>
</td>
<td style="border-bottom: 1.0pt; border-bottom: solid black; border-left: none; border-right: 1.0pt; border-right: solid black; border-top: none; height: 190.85pt; mso-border-alt: .5pt; mso-border-alt: solid black; mso-border-bottom-themecolor: text1; mso-border-left-alt: .5pt; mso-border-left-alt: solid black; mso-border-left-themecolor: text1; mso-border-right-themecolor: text1; mso-border-themecolor: text1; mso-border-top-alt: .5pt; mso-border-top-alt: solid black; mso-border-top-themecolor: text1; padding: 0cm 5.4pt 0cm 5.4pt; width: 328.55pt;" valign="top" width="329"><div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: Helvetica;"><span class="Apple-style-span" style="color: #444444;">Session II: Exhibiting</span><o:p></o:p></span></b></div>
<div class="MsoNormal" style="margin-bottom: .1pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; mso-para-margin-bottom: .01gd; mso-para-margin-left: 0cm; mso-para-margin-right: 0cm; mso-para-margin-top: .5gd;">
<span lang="EN-US" style="font-family: Helvetica; text-transform: uppercase;">- “A </span><span lang="EN-US" style="font-family: Helvetica;">Mediterranean Bazaar: The
<i style="mso-bidi-font-style: normal;">Bazar du Genre </i>exhibition at the
Musée des Civilisations de l’Europe et de la Méditerranée (MuCEM) in
Marseille, 2013”<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: Helvetica;"> Bronwyn
Winter (U Syd)</span><span lang="EN-US" style="font-family: Helvetica;"><o:p></o:p></span></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<span lang="EN-US" style="font-family: Helvetica;">- “Acting Out:
performing feminisms in the contemporary art</span></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<span lang="EN-US" style="font-family: Helvetica;"> museum” <o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: Helvetica;"> Courtney Pedersen
(QUT) and Rachael Haynes (QUT)</span><span lang="EN-US" style="font-family: Helvetica;"><o:p></o:p></span></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<span lang="EN-US" style="font-family: Helvetica;">- “What is a
Feminist Object? Things that liberate and material</span></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<span lang="EN-US" style="font-family: Helvetica;"> culture.”<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<span lang="EN-US" style="font-family: Helvetica;"> Alison Bartlett
(UWA) and Margaret Henderson (UQ)<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<span lang="EN-US" style="font-family: Helvetica;">- “The Military
Museum as a site for <i style="mso-bidi-font-style: normal;">feminist history</i>”<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: Helvetica;"> Lindsey V.
Sharman (U Calgary)<b style="mso-bidi-font-weight: normal;"><o:p></o:p></b></span></div>
</td>
</tr>
<tr style="mso-yfti-irow: 8;">
<td style="border-top: none; border: 1.0pt; border: solid black; mso-border-alt: .5pt; mso-border-alt: solid black; mso-border-themecolor: text1; mso-border-themecolor: text1; mso-border-top-alt: .5pt; mso-border-top-alt: solid black; mso-border-top-themecolor: text1; padding: 0cm 5.4pt 0cm 5.4pt; width: 95.2pt;" valign="top" width="95"><div class="MsoNormal">
<span lang="EN-US" style="font-family: Helvetica;">3.30 – 5.00<o:p></o:p></span></div>
</td>
<td style="border-bottom: 1.0pt; border-bottom: solid black; border-left: none; border-right: 1.0pt; border-right: solid black; border-top: none; mso-border-alt: .5pt; mso-border-alt: solid black; mso-border-bottom-themecolor: text1; mso-border-left-alt: .5pt; mso-border-left-alt: solid black; mso-border-left-themecolor: text1; mso-border-right-themecolor: text1; mso-border-themecolor: text1; mso-border-top-alt: .5pt; mso-border-top-alt: solid black; mso-border-top-themecolor: text1; padding: 0cm 5.4pt 0cm 5.4pt; width: 328.55pt;" valign="top" width="329"><div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: Helvetica;"><span class="Apple-style-span" style="color: #444444;">Book
Launch</span><o:p></o:p></span></b></div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="font-family: Helvetica;">- Things
that Liberate: An Australian Feminist </span></i></div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="font-family: Helvetica;"> Wunderkammer</span></i><span lang="EN-US" style="font-family: Helvetica;">, edited by Alison Bartlett and Margaret </span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: Helvetica;"> Henderson, launched by
Marian Sawer (ANU) at the Library</span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: Helvetica;"> Bookshop<o:p></o:p></span></div>
</td>
</tr>
<tr style="mso-yfti-irow: 9; mso-yfti-lastrow: yes;">
<td style="border-top: none; border: 1.0pt; border: solid black; mso-border-alt: .5pt; mso-border-alt: solid black; mso-border-themecolor: text1; mso-border-themecolor: text1; mso-border-top-alt: .5pt; mso-border-top-alt: solid black; mso-border-top-themecolor: text1; padding: 0cm 5.4pt 0cm 5.4pt; width: 95.2pt;" valign="top" width="95"><div class="MsoNormal">
<span lang="EN-US" style="font-family: Helvetica;">7.00<o:p></o:p></span></div>
</td>
<td style="border-bottom: 1.0pt; border-bottom: solid black; border-left: none; border-right: 1.0pt; border-right: solid black; border-top: none; mso-border-alt: .5pt; mso-border-alt: solid black; mso-border-bottom-themecolor: text1; mso-border-left-alt: .5pt; mso-border-left-alt: solid black; mso-border-left-themecolor: text1; mso-border-right-themecolor: text1; mso-border-themecolor: text1; mso-border-top-alt: .5pt; mso-border-top-alt: solid black; mso-border-top-themecolor: text1; padding: 0cm 5.4pt 0cm 5.4pt; width: 328.55pt;" valign="top" width="329"><div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: Helvetica;"><span class="Apple-style-span" style="color: #444444;">Dinner</span><i style="mso-bidi-font-style: normal;"> </i></span></b><span lang="EN-US" style="font-family: Helvetica;">(Venue
TBA)<b style="font-size: 11pt;"><o:p></o:p></b></span></div>
</td>
</tr>
</tbody></table>
</b></span><span class="Apple-style-span" style="font-family: Helvetica;"><br />Register your attendance for the symposium <a href="https://register.eventarc.com/17885/feminism-and-the-museum-a-symposium">here</a>, and for the book launch <a href="https://register.eventarc.com/19088/book-launch-things-that-liberate-an-australian-feminist-wunderkammer">here</a>!<br /><table border="1" cellpadding="0" cellspacing="0" class="MsoTableGrid" style="border-collapse: collapse; border: none; mso-border-alt: .5pt; mso-border-alt: solid black; mso-border-insideh-themecolor: text1; mso-border-insideh: .5pt solid black; mso-border-insidev-themecolor: text1; mso-border-insidev: .5pt solid black; mso-border-themecolor: text1; mso-padding-alt: 0cm 5.4pt 0cm 5.4pt; mso-yfti-tbllook: 191;"><tbody>
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<!--EndFragment-->Anonymoushttp://www.blogger.com/profile/01132047597376441119noreply@blogger.com1tag:blogger.com,1999:blog-3446129143096746545.post-73157231269926093102013-10-15T01:58:00.000-07:002013-10-18T06:55:34.681-07:00Brief Abstracts of Papers to be Presented<!--[if gte mso 9]><xml>
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<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-CA" style="font-family: Helvetica; font-size: 11.0pt; mso-bidi-font-size: 12.0pt;"><span class="Apple-style-span" style="color: #444444;">SESSION
I: COLLECTING<o:p></o:p></span></span></b></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-CA" style="font-family: Helvetica; font-size: 11.0pt; mso-bidi-font-size: 12.0pt;"><span class="Apple-style-span" style="color: #444444;">“Women
are Transmogrifying”<o:p></o:p></span></span></b></div>
<div class="MsoNormal">
<span lang="EN-CA" style="font-family: Helvetica; font-size: 11.0pt; mso-bidi-font-size: 12.0pt;">Mandy Paul (History SA)<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;"><span lang="EN-CA" style="font-family: Helvetica; font-size: 11.0pt; mso-bidi-font-size: 12.0pt;">Blue
Jeans and Jungle Greens</span></i><span lang="EN-CA" style="font-family: Helvetica; font-size: 11.0pt; mso-bidi-font-size: 12.0pt;">, an exhibition on the sixties
and seventies in South Australia, featured the emergence of the Women’s
Liberation Movement as one of the social movements of the time, and put it in
its immediate social and political context. Looking for objects to represent
feminism in the period, and finding none in the collection, I sought the advice
of a colleague – who lent her collection of badges. This paper will explore the
reasons why objects relating to the Women’s Liberation Movement are still in
drawers in people’s houses rather than museum stores. It will also acknowledge
the significant impact feminist curators have had on shaping the practice of
public history in Australian social history museums over the last three
decades. Reflecting on this work, I will ponder whether interpretation grounded
in feminist historiography can render ‘feminist’ a much wider range of objects
than stickers and badges.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: Helvetica; font-size: 11.0pt; mso-ansi-language: EN-AU; mso-bidi-font-size: 12.0pt;"><span class="Apple-style-span" style="color: #444444;">“The Gendered Politics of Collections”<o:p></o:p></span></span></b></div>
<div class="MsoNormal">
<span lang="EN-CA" style="font-family: Helvetica; font-size: 11.0pt; mso-bidi-font-size: 12.0pt;">Sophia Maalsen (U Syd)<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Helvetica; font-size: 11.0pt; mso-ansi-language: EN-AU; mso-bidi-font-size: 12.0pt;">The symposium recognises the
role of material culture and museums in fostering social memory while also
noting the absence of second wave feminism in museum representation. This paper
will look at possible attitudes that thwart the representation of feminist
representation in museums by focusing on the act of collecting and collections
themselves. Women’s objects of collection, more frequently reflecting items of
domestic spheres and everyday existence, have frequently in the past not been
considered worthy items and therefore lack the qualities of a respected
‘collection’. It is more than just recognising items of feminist material
culture, but the acknowledgement that women’s material culture counts. Thus
this paper reflects less on individual items of material culture but on the
structural positions of collecting, which regard them as so. </span><span lang="EN-CA" style="font-family: Helvetica; font-size: 11.0pt; mso-bidi-font-size: 12.0pt;"><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<h2>
<span style="font-family: Helvetica; font-size: 11pt;"><span class="Apple-style-span" style="color: #444444;">“Feminist futures, feminist pasts
and generational relationships: Responding to second wave activist material
culture in Adelaide collections”<o:p></o:p></span></span></h2>
<div class="MsoNormal">
<span lang="EN-CA" style="font-family: Helvetica; font-size: 11.0pt; mso-bidi-font-size: 12.0pt;">Petra Mosmann (Flinders)<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span class="Apple-style-span" style="font-family: Helvetica;"><span class="Apple-style-span" style="font-size: 15px;">
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<!--StartFragment-->
</span></span><br />
<div class="MsoNormal">
<span class="Apple-style-span" style="font-family: Helvetica;"><span lang="EN-CA" style="font-family: Helvetica; font-size: 11.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-AU;">In Adelaide
there are several libraries and galleries that have archived second wave
activist material including: the University of Adelaide Special Collections,
Flinders University Art Gallery/Special Collections, the State Library of South
Australia and the Art Gallery of South Australia. This paper explores the
collection and curation of second wave activist material in these institutions
and the generational relationships implied and created by these archives. This
paper considers second wave material in the hands of feminists that have no
activist memory, who gain what Zora Simic calls ‘feminist competency’ primarily
through academic accomplishment rather than activism. It argues that collecting
the remnants of feminist activism locates a feminist future in the
self-reflexive archiving of feminisms pasts, which sets out new relationships
between feminist ‘generations’.<span style="mso-spacerun: yes;"> </span></span></span></div>
<div class="MsoNormal">
<span class="Apple-style-span" style="font-family: Helvetica;"><span lang="EN-CA" style="font-family: Helvetica; font-size: 11.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-AU;"><span style="mso-spacerun: yes;"><br /></span></span></span></div>
<div class="MsoNormal">
<span class="Apple-style-span" style="font-family: Helvetica;"><br /></span></div>
<span class="Apple-style-span" style="font-family: Helvetica;">
<!--EndFragment--></span></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-CA" style="font-family: Helvetica; font-size: 11.0pt; mso-bidi-font-size: 10.0pt;"><span class="Apple-style-span" style="color: #444444;">“First
steps in digitisation: Irene Greenwood and <i style="mso-bidi-font-style: normal;">Woman
to Woman</i>”<o:p></o:p></span></span></b></div>
<div class="MsoNormal">
<span lang="EN-CA" style="font-family: Helvetica; font-size: 11.0pt; mso-bidi-font-size: 12.0pt;">Kate Makowiecka (Murdoch)<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<span style="color: black; font-family: Helvetica; font-size: 11.0pt; mso-bidi-font-family: Tahoma; mso-bidi-font-size: 10.0pt;">Irene Greenwood was known nationally
and internationally for her lifetime’s work in the peace and women’s movements.
In the 1980s, Irene donated many boxes of personal correspondence, books,
journals and papers to Murdoch University. Some of this material has been catalogued,
but many boxes remain as they arrived. Amongst the contents of several boxes
are typescripts of her <i>Woman to Woman</i> radio programs, together with
files of correspondence between Irene and her many women listeners, and other
relevant odds and ends. Murdoch University Library had been planning for some
time to trial the digitisation of archived material to see what was involved in
terms of time, money, equipment, staffing, and so on; in 2011 it was decided
that we would use Irene’s <i>Woman to Woman</i> scripts for our first
digitisation project. This paper tells the story of the project so far, and
starts with negotiating the copyright in Irene’s typescripts.<o:p></o:p></span><br />
<br />
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-CA" style="font-family: Helvetica; font-size: 11.0pt; mso-bidi-font-size: 12.0pt;"><span class="Apple-style-span" style="color: #444444;"><span style="mso-spacerun: yes;"> </span>SESSION II: EXHIBITING<o:p></o:p></span></span></b></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .1pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; mso-para-margin-bottom: .01gd; mso-para-margin-left: 0cm; mso-para-margin-right: 0cm; mso-para-margin-top: .5gd;">
<span class="Apple-style-span" style="color: #444444;"><b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: Helvetica; font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: FranklinGothic-Book; mso-bidi-font-size: 14.0pt; text-transform: uppercase;">“A </span></b><b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: Helvetica; font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: FranklinGothic-Book; mso-bidi-font-size: 14.0pt;">Mediterranean
Bazaar : The <i style="mso-bidi-font-style: normal;">Bazar du Genre </i>exhibition
at the Musée des Civilisations de l’Europe et de la Méditerranée (MuCEM) in
Marseille, 2013”<o:p></o:p></span></b></span></div>
<div class="MsoNormal">
<span lang="EN-CA" style="font-family: Helvetica; font-size: 11.0pt; mso-bidi-font-size: 12.0pt;">Bronwyn Winter (U Syd)<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: Helvetica; font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: FranklinGothic-Book; mso-bidi-font-size: 14.0pt;">One of the MuCEM’s two inaugural temporary exhibitions
is “Au Bazar du Genre” (at the Gender Bazaar). It is dedicated to exploring the
recent history of feminist—and LGBT—challenges to the order of male domination
in the twenty-one countries that surround the Mediterranean Sea. The multimedia
exhibition features feminist activist memorabilia, newsreel footage, scenes
from classic films, videos of more recent ‘activist’ performance art, and
various visual artworks. The exhibition catalogue features articles by many
well-known academics, which, along with the place in which the exhibition
occurs, confers considerable prestige on it. This paper will discuss these
various facets of the exhibition and reactions to it in France, as an example
of a certain institutionalisation of feminist memory that has both salutary and
problematic aspects.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-CA" style="font-family: Helvetica; font-size: 11.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 12.0pt;"><span class="Apple-style-span" style="color: #444444;">“Acting Out: performing feminisms in
the contemporary art museum”<o:p></o:p></span></span></b></div>
<div class="MsoNormal">
<span lang="EN-CA" style="font-family: Helvetica; font-size: 11.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-AU;">Courtney
Pedersen (QUT) and Rachael Haynes (QUT)<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-CA" style="font-family: Helvetica; font-size: 11.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 12.0pt;">The
position that feminist art holds within the art museum is complex and often
contradictory. There is a very real danger that when absorbed into the museum
collection, feminist art can become a historicizing category; framed as a
singular movement rather than a still relevant set of strategies. Since
2010, the feminist artist collective LEVEL has been involved in a range of activities
designed to reinvigorate the discussion of women’s position in the art world
and society more broadly. They have been commissioned to provide a public
program as part of the Museum of Contemporary Art’s <i>WAR IS OVER! (IF YOU
WANT IT): YOKO ONO</i> exhibition in late 2013. This paper discusses
the design of that project as an attempt to move beyond the script of feminism
as a historical moment, and back to the lived experience of feminist art as
political understanding and social engagement.</span><span lang="EN-CA" style="font-family: Helvetica; font-size: 11.0pt; mso-bidi-font-size: 12.0pt;"><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-CA" style="font-family: Helvetica; font-size: 11.0pt; mso-bidi-font-size: 12.0pt;"><span class="Apple-style-span" style="color: #444444;">“What
is a Feminist Object? Things that liberate and material culture”<o:p></o:p></span></span></b></div>
<div class="MsoNormal">
<span lang="EN-CA" style="font-family: Helvetica; font-size: 11.0pt; mso-bidi-font-size: 12.0pt;">Alison Bartlett (UWA) and Margaret Henderson (UQ)<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-CA" style="font-family: Helvetica; font-size: 11.0pt; mso-bidi-font-size: 12.0pt;">Investigating the idea of feminist material
culture this paper focuses on<span style="mso-spacerun: yes;">
</span>‘what is a feminist object?’ Finding that museum studies literature still
struggles to address feminist materials and methods, we briefly survey some
established women’s museums and then draw some more specific observations from
two recent projects: a collection of objects on feminist activism for a
national museum; and a collection of essays focused on feminist objects. Both
of these projects are specifically in relation to Australian feminist activism
from the 1970s onward. The conclusions we draw around the nature of feminist
things suggests this is a rich source of memory, material culture, and physical
evidence of socially transformative ideas which offer innovative ways of
attending to feminist times and social movement histories which remain
marginalized and therefore at risk of cultural amnesia.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-CA" style="font-family: Helvetica; font-size: 11.0pt; mso-bidi-font-size: 12.0pt;"><span class="Apple-style-span" style="color: #444444;">“The
Military Museum as a site for <i style="mso-bidi-font-style: normal;">feminist
history</i>.”<o:p></o:p></span></span></b></div>
<div class="MsoNormal">
<span lang="EN-CA" style="font-family: Helvetica; font-size: 11.0pt; mso-bidi-font-size: 12.0pt;">Lindsey V. Sharman (U Calgary)<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-CA" style="font-family: Helvetica; font-size: 11.0pt; mso-bidi-font-size: 12.0pt;">Existing military museums and archives play a
major role in sharing the achievements of women and function as custodians of
historical and contemporary artifacts relating to second wave feminism. With a
backdrop of military history, we can examine major historical events including
suffrage, inclusion in the general workforce and military service, one can even
look at contemporary issues surrounding reproductive freedom by examining the
use of rape as a weapon of war. There are current programs at The Military
Museums, Calgary, (TMM) and The Canadian War Museum, Ottawa (CWM) that
incorporate narratives of feminist history into the overall story of Canada,
and the world, at war. These projects not only function to present and preserve
histories, but also strive to change the typically misogynist lens through
which their publics view history.<o:p></o:p></span></div>
<!--EndFragment-->Anonymoushttp://www.blogger.com/profile/01132047597376441119noreply@blogger.com0tag:blogger.com,1999:blog-3446129143096746545.post-23692824850649091662013-10-05T19:53:00.001-07:002013-10-05T19:53:42.983-07:00An Exhibition and Performance at the Symposium
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<br />
<div class="MsoNormal">
<span style="mso-spacerun: yes;"> </span>Suzanne
Bellamy is an Australian artist and writer exhibiting internationally, working
across text and image fusions, using printmaking, sculpture, performance, mixed
media art practices. Her museum satire/women's history project "The Lost
Culture of Women's Liberation, the Pre-Dynastic Phase 1969-74" was first
exhibited in the mid 1990s at various conferences and venues in Australia and
the USA, and has since evolved as an open form performance work/slide show
presented in art schools, conferences and special events. Its core trope is an
archaeological dig in 500 years time of a women's building site in Sydney,
playing with shifting historical perceptions, actual archival material and
constructed models. </div>
<div class="MsoNormal">
<span style="mso-spacerun: yes;"> </span>Bellamy
works from a studio in southern NSW, is a Woolf and Stein published scholar, is
currently completing a PhD on Australian Modernism at the University of Sydney.
Her most recent exhibition was at the Acorn Gallery, Clemson University South
Carolina 2013, where she was a Visiting Artist and Scholar. </div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b>You can learn more about Suzanne's artistic practice from her <a href="http://www.suzannebellamy.com/">website</a>, and experience "The Lost Culture of Women's Liberation, the Pre-Dynastic Phase 1969-74" at the symposium by registering your attendance <a href="https://register.eventarc.com/17885/feminism-and-the-museum-a-symposium">here</a>.</b></div>
<!--EndFragment-->Anonymoushttp://www.blogger.com/profile/01132047597376441119noreply@blogger.com0tag:blogger.com,1999:blog-3446129143096746545.post-87091828999712605552013-10-05T19:44:00.000-07:002013-10-05T19:47:56.665-07:00Feminism and the Museum's Keynote SpeakerOur keynote speaker, Dr Kirsten Wehner, will be presenting her paper "Speaking, Doing, Making, Being: Four Modes of feminism in the National Museum" at the symposium.<br />
Kirsten is currently the Head Curator of People and the Environment at the National Museum of Australia, and was previously Content Director for the development of the Museum's <i>Landmarks</i> (opened 2011) and <i>Journeys</i> (2009) galleries and the <i>Circa</i> theatre (2008). She is the co-editor and co-author of <i>Landmarks: A history of Australia in 33 places</i> (2013) and <i>National Museums: Negotiating Histories</i> (1999). Kirsten has worked in the cultural heritage sector for over 15 years, curating a range of collections, exhibitions and documentary films exploring diverse aspects of Australian history and culture. Her current interests include place and environmental histories, feminist critiques of nature/culture, re-interpreting natural history collections, online interpretation and the potential for museums to contribute to building ecologically resilient communities.<br />
<br />
<b>You can register to attend the symposium <a href="https://register.eventarc.com/17885/feminism-and-the-museum-a-symposium">here</a>.</b>Anonymoushttp://www.blogger.com/profile/01132047597376441119noreply@blogger.com0tag:blogger.com,1999:blog-3446129143096746545.post-3797544464566754652013-07-30T05:35:00.000-07:002013-09-17T03:26:34.326-07:00Call for Papers, and Registrations now open<span class="Apple-style-span" style="border-collapse: collapse; font-family: Arial, Helvetica, sans-serif; font-size: 14px; line-height: 22px;"></span><br />
<address style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">
<span class="Apple-style-span" style="font-size: 14px;"><h3>
<b>CALL FOR PAPERS</b></h3>
</span><h3>
<span class="Apple-style-span" style="font-size: small; font-weight: normal;"><strong style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 14px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Feminism and the Museum</strong></span></h3>
<span class="Apple-style-span" style="font-size: 14px;">An Australian Women’s and Gender Studies Association mini-conference</span><div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 14px; margin-bottom: 1.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;">
</div>
<div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 14px; margin-bottom: 1.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;">
Date: 8.45am – 5pm, Saturday, 2 November 2013<br />
Venue: The National Library of Australia, Canberra<br />
Keynote Speaker: Kirsten Wehner, Senior Curator, National Museum of Australia<br />
Featuring: Suzanne Bellamy, “The Lost Culture of Women’s Liberation, 1969-1974” exhibition/performance</div>
<div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 14px; margin-bottom: 1.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;">
The role of museums and objects in fostering social memory is widely recognized, however, the presence of second wave feminism in museums is limited. This symposium wishes to address the way in which second wave feminism is, or can be, collected and displayed in museums, and the role of material culture in memorializing feminism. We invite papers from researchers and museum workers that address the intersection of second wave feminism and the museum, including, but not limited to, the following topics:<br />
· What is a feminist object?<br />
· What makes a feminist museum exhibition and collection?<br />
· Women’s museums internationally<br />
· The New Museology and feminist theory and practice<br />
· Private collections into public archives<br />
· Curating feminist objects, training feminist curators<br />
· Feminist collections and the virtual museum</div>
<div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 14px; margin-bottom: 1.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;">
Presentations are 20 minutes in length.<br />
Please forward a 200-300 word abstract and contact details to: <a href="mailto:femmuseums2013@gmail.com" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: #793fc4; font-size: 14px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;">femmuseums2013@gmail.com</a> by 30 September. Successful proposals will be acknowledged by 10 October.</div>
<div style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: 14px; margin-bottom: 1.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;">
<h3>
<b>REGISTRATIONS</b></h3>
$60 wages, $40 concessional<br />
<a href="https://register.eventarc.com/17885/feminism-and-the-museum-a-symposium">https://register.eventarc.com/17885/feminism-and-the-museum-a-symposium</a><br />
<br />
<br />
Symposium Convenors: Alison Bartlett, The University of Western Australia;<br />
Margaret Henderson, The University of Queensland</div>
<div style="font-size: 14px;">
<br /></div>
</address>
Anonymoushttp://www.blogger.com/profile/01132047597376441119noreply@blogger.com0